{"id":1374,"date":"2022-04-28T16:20:27","date_gmt":"2022-04-28T14:20:27","guid":{"rendered":"http:\/\/artaucentre.nnstudio.pro\/vitrine\/quand\/"},"modified":"2022-05-26T11:30:25","modified_gmt":"2022-05-26T09:30:25","slug":"quand","status":"publish","type":"vitrine","link":"https:\/\/artaucentre.be\/en\/vitrine\/quand\/","title":{"rendered":"quand"},"content":{"rendered":"

Metaphor of the slow disasters<\/i>, Valentina Perazzini\u2019s installation Quand<\/i> is the chronicle of a disaster foretold. Heirs of a civilization that mistreated nature way too much, helium-filled balloons seeking escape are recaptured by a ceiling that vows them to an ineluctable destiny. Once tired, they will initiate their ineluctable descent, they will encounter what nature left behind for them\u00a0: a row of cactus.<\/p>\n

Is it only the story of a slow agony\u00a0? The description of a day after a party, in which deflated balloons of the day before cover the floor only retaining melancholy inside their rubber skin\u00a0? Or on the contrary is it the story of a transformation of the world when the balloons, pierced by thorns, will recreate alongside the plants that hated them a balance where fate and heritage mingle\u00a0?<\/p>\n

In resonance with the current sanitary and political situation, Quand<\/i>, once interrogative, titillates the interface between reality and fiction, and creeps into the cracks between conscious and unconscious. Valentina Perazzini is a multidisciplinary artist who feeds her quest for the world of literature and nature. She presents a new piece on the theme of the impossibility of the true encounter and its sublimation.<\/p>\n

The cactus, rented in Liege, account for the ambiguous connection between mankind and its environment. Between protection and reification\u2026<\/p>\n

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