{"id":1424,"date":"2022-05-14T21:11:39","date_gmt":"2022-05-14T19:11:39","guid":{"rendered":"http:\/\/artaucentre.nnstudio.pro\/vitrine\/tobidashi-boys\/"},"modified":"2022-06-21T16:18:24","modified_gmt":"2022-06-21T14:18:24","slug":"tobidashi-boys","status":"publish","type":"vitrine","link":"https:\/\/artaucentre.be\/en\/vitrine\/tobidashi-boys\/","title":{"rendered":"Tobidashi boys"},"content":{"rendered":"

Painter Lo\u00efc Moons graduated from the <\/span>\u00c9cole Sup\u00e9rieure des Arts de la Ville de Li\u00e8ge<\/span><\/i>. He is a fan of anime, stylish clothing and cycling; and cultivates the image of refined <\/span>hype<\/span><\/i>. As a real follower of the genre, in his practice, he collects images and references that are connected to Japanese <\/span>pop culture<\/span><\/i>.<\/span>\u00a0<\/span><\/p>\n

For this eighth edition of Art au Centre, Lo\u00efc Moons composes pictorial elements from signs he borrowed from Japanese road signs. Stripped of the traditional codes of the real <\/span>Tobidashi<\/span><\/i>, which a well-Westernized Westerner would not understand anyway (are they placed there to warn motorists that pedestrians throw balls on the road or alert pedestrians to the danger of playing on the road?), Lo\u00efc Moons’ installation invites passers-by to give meanings to the characters’ jaded or sad faces, explosive speech bubbles and cut-out silhouettes.<\/span>\u00a0<\/span><\/p>\n

Let\u2019s note the touch of humor in this installation that unambiguously requests our interpretations, as contemporary art generally does by working on the imagination and unlike modern everyday life which will tend to padlock it.<\/span>\u00a0<\/span><\/p>\n

 <\/p>\n

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