{"id":3775,"date":"2024-02-02T14:23:25","date_gmt":"2024-02-02T13:23:25","guid":{"rendered":"https:\/\/artaucentre.be\/vitrine\/pauvre-petit-belge-qui-tremble\/"},"modified":"2024-11-19T18:54:46","modified_gmt":"2024-11-19T17:54:46","slug":"collection-uhoda-14","status":"publish","type":"vitrine","link":"https:\/\/artaucentre.be\/en\/vitrine\/collection-uhoda-14\/","title":{"rendered":"Uhoda Collection"},"content":{"rendered":"<p><strong>Pauvre petit belge qui tremble<\/strong>, <strong>1985<\/strong><\/p>\n<p><strong>Paolo Gasparotto<\/strong><\/p>\n<p>From 5 February to 15 March 2024<\/p>\n<p>In the course of the 1980s, Paolo Gasparotto developed a neo-expressionist style imbued with various influences, including German expressionism. Through his canvases, he deploys a gaze marked by humor and irreverence to address subjects related to the Li\u00e8ge and Walloon territory. The painting <em>Pauvre petit Belge qui tremble<\/em> approaches, in the same vein, the earthquake that shook the Li\u00e8ge region in 1983. A fault in the ground, buildings vibrating and swaying, the unleashed fury of the sky and nature, the panic of the citizens&#8230; The catastrophe is depicted with a quick and wild stroke. The title of the work, the vibrant colors and the overall treatment of the scene align with the artist&#8217;s characteristic impertinence.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4483\" src=\"https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-2024-02-05-Paolo-Gasparotto-_JLD9076-tel-quel-HDef-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-2024-02-05-Paolo-Gasparotto-_JLD9076-tel-quel-HDef-1-300x200.jpeg 300w, https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-2024-02-05-Paolo-Gasparotto-_JLD9076-tel-quel-HDef-1-1024x682.jpeg 1024w, https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-2024-02-05-Paolo-Gasparotto-_JLD9076-tel-quel-HDef-1-768x512.jpeg 768w, https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-2024-02-05-Paolo-Gasparotto-_JLD9076-tel-quel-HDef-1.jpeg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>L\u00e9opold S\u00e9dar Senghor<\/strong><strong> (African Spirits series)<\/strong><\/p>\n<p><strong>Sammuel Fosso<\/strong><\/p>\n<p>From 15 March to 30 April 2024<\/p>\n<p>\u201cAs in all my works, I am both the character and the director. I do not place myself in the photographs: my work is based on specific situations and characters I am familiar with, things I desire, elaborate in my imagination and then interpret. I borrow an identity. To succeed, I immerse myself in the necessary physical and mental state. It&#8217;s a way of escaping from myself. A solitary passage. I am a solitary man.\u201d<\/p>\n<p>Samuel Fosso<\/p>\n<p>In his series \u201cAfrican Spirits\u201d (2008), Samuel Fosso continued to transform his appearance by portraying fourteen iconic figures from the civil rights movement in the United States, here portraying himself as L\u00e9opold S\u00e9dar Senghor.<\/p>\n<figure id=\"attachment_4485\" aria-describedby=\"caption-attachment-4485\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4485\" src=\"https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-Samuel-FOSSO-2024-03-14-_JLD0197-HDef-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-Samuel-FOSSO-2024-03-14-_JLD0197-HDef-300x200.jpg 300w, https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-Samuel-FOSSO-2024-03-14-_JLD0197-HDef-1024x683.jpg 1024w, https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-Samuel-FOSSO-2024-03-14-_JLD0197-HDef-768x512.jpg 768w, https:\/\/artaucentre.be\/wp-content\/uploads\/2024\/02\/White-Cube-Samuel-FOSSO-2024-03-14-_JLD0197-HDef-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-4485\" class=\"wp-caption-text\">| collection Uhoda<br \/>| White Cube rue Saint-Paul \u00e0 Li\u00e8ge<br \/>| 2024-03<br \/>| Samuel FOSSO, (Cameroun, 1962)<br \/>| S\u00e9rie African Spirits, Photographie argentique<br \/>| L\u00e9opold S\u00e9dar Senghor, 2008<br \/>| L&#8217;art du mim\u00e9tisme et de la mise en sc\u00e8ne<\/figcaption><\/figure>\n","protected":false},"featured_media":0,"template":"","exposition":[45],"class_list":["post-3775","vitrine","type-vitrine","status-publish","hentry","exposition-en14"],"acf":[],"_links":{"self":[{"href":"https:\/\/artaucentre.be\/en\/wp-json\/wp\/v2\/vitrine\/3775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artaucentre.be\/en\/wp-json\/wp\/v2\/vitrine"}],"about":[{"href":"https:\/\/artaucentre.be\/en\/wp-json\/wp\/v2\/types\/vitrine"}],"wp:attachment":[{"href":"https:\/\/artaucentre.be\/en\/wp-json\/wp\/v2\/media?parent=3775"}],"wp:term":[{"taxonomy":"exposition","embeddable":true,"href":"https:\/\/artaucentre.be\/en\/wp-json\/wp\/v2\/exposition?post=3775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}