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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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En travers
#2
Sarah Minutillo
Open call
41159 En Féronstrée
In her installation En travers, Sarah Minutillo addresses the audience as an individual questioning her relationship with different registers of images of urban territories. The artist produces usual images of the street alongside private and intimate images.
« My main artistic concerns push me to question the complex web of relationships that images maintain between themselves and the way we tackle them. Images can come to us in different registers : moral, affective, aesthetic ; a multitude of categories in which ordinary and extraordinary can meet. My work is a continuing return journey between the private and public spheres and if the used photographs are sometimes those of a particular era, the topics and ideas that they tackle are contemporary. My collection of personal images sometimes encourages the anecdote but an image can echo another one, attracting the spectator in his own repertoire, his own imagination.
In a practice combining drawing, painting and installation, decontextualization and obliteration of images are crucial factors of my work. I start from legible and meaningful images to make them illegible by painting and drawing. By transporting a medium and its given context into another medium, while keeping the conscious trace of this transfer, I benefit from its new possibilities.
I combine my savoir-faire with the authenticity and the fragility of an unposed drawing ; various mediums, various formats. I unveil images and confront them as I select them, instinctively. »