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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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#3
Jérôme Mayer
Curator : Mermermer (Mikail Koçak & Anna Ozanne)
564 Rue de la Cathédrale
Jérôme Mayer’s artistic work probes the temporary nature of our existence. The artist here presents a video art installation specifically created for the showcase and its environment. Slow pace sequences are shown on the entire surface of the window. In these sequences, blurry frontal images of parts of the face of the artist get mixed up with mysterious organic steam images pulled from distant places. The artwork functions in the public space like an open window to the private space, a kind of intimate and distant selfie. The street is viewed pragmatically : a passageway. The sound integration of a bass line, composed by Farida Amadou with whom he collaborates in several projects, makes the window vibrate dully just as the chronometer of the video appears, establishing a temporal and corporal link between the artist and the observer of the shown artwork. The ephemeral images offered to the eyes suggest the impermanence of our reality in real time.
Jérôme Mayer is a plastic artist, a curator and a teacher in videography and multidisciplinary master at the ESAVL. He inspires and connects artistic projects from multiple backgrounds. He graduated from the ENSB-A (Paris), studied and worked as an artist’s assistant – for Jeff Wall, Mark Lewis, Joe Ben Jr – abroad until 2000 (in Canada, Arizona and New Mexico) before becoming the co-director of Les Brasseurs arts center in Liege from 2014 to 2019 where he developed the Jeunes Artistes sub-branch and organized regular public meetings between professionals of the contemporary art scene. He currently initiates independent curatorial or performative projects linked to different structures that combine various artistic practices in Belgium and France.

