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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Anatomie du vivant / Life
#16
Sophie Keraudren-Hartenberger
Artist selected as part of the open call.
38698 Rue de la Cathédrale
Anatomie du Vivant presents the work of the artist Sophie Keraudren-Hartenberger, whose practice, at the crossroads of art, science and technology, plunges into the heart of matter. The artist shares a taste for scientific aesthetics and works to reveal the invisible threads that weave our world. The Life installation offers an evolving work that sensitively reinterprets a scientific experiment from the last century, while exploring the frontiers of life.
The artist unveils a new series created in collaboration with the CEISAM laboratory at the University of Nantes. Inspired by the work of Nantes doctor Stéphane Leduc, who, in 1905, attempted to recreate living things from chemical substances, she questions the blurred boundaries between the animate and the inanimate. Her “Nano” series consists of laboratory glassware sculptures in which she shapes “chemical gardens”. These artificial organic formations, resulting from the mixture of saline solutions and minerals, evoke the genesis of the first forms of life on Earth. The growth of these gardens, which she films and projects onto the sculptures, acts as a reminiscence of the first signs of life that appeared on our planet.
The installation immerses the viewer in a world that is both disturbing and fascinating, constantly oscillating between the infinitely small and the infinitely large. A dive into darkness, where only a few ultraviolet lights, echoing bioluminescence, guide our perceptions. An immersive and sensory work where art and science meet to reveal the complexity of life.