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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Once upon a time
#2
Zoé Médard
Curator : Anna Ozanne
3863 Rue de la Cathédrale
Plastic artist trained in videography at the ESAVL, Zoé Médard has developed multiple facets of her work.
She approaches the video in experimental, documentary and fictional forms. She also practices sculpture, photography, installation, performance, etc. Inventing the work in and from the space where she exhibits is the specialism of the artist. For this project, Zoé Médard covers the window with a second skin invented from details of images of broken windows and effects of glass and crystal fragments.
The appearance of the window is physically retouched as one modifies a virtual image. Reality is modified and questions our certainties. Strange ornament, the intervention is a frontage jewel, a jewelry for the street. What has been abandoned shines again, what is ugly becomes beautiful. Like a layer of chipped off varnish, this imaginary territory conveys stories, scars of a civic anger or marks of violent events in the public/collective space. With a kind of empathy, the work connects this window with all windows in the world. Zoé Médard transforms this empty store into a zone of alterity of the distance. I am here and elsewhere, l’Ici est l’Ailleurs.