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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Once upon a time
#2
Zoé Médard
Curator : Anna Ozanne
3863 Rue de la Cathédrale
Plastic artist trained in videography at the ESAVL, Zoé Médard has developed multiple facets of her work.
She approaches the video in experimental, documentary and fictional forms. She also practices sculpture, photography, installation, performance, etc. Inventing the work in and from the space where she exhibits is the specialism of the artist. For this project, Zoé Médard covers the window with a second skin invented from details of images of broken windows and effects of glass and crystal fragments.
The appearance of the window is physically retouched as one modifies a virtual image. Reality is modified and questions our certainties. Strange ornament, the intervention is a frontage jewel, a jewelry for the street. What has been abandoned shines again, what is ugly becomes beautiful. Like a layer of chipped off varnish, this imaginary territory conveys stories, scars of a civic anger or marks of violent events in the public/collective space. With a kind of empathy, the work connects this window with all windows in the world. Zoé Médard transforms this empty store into a zone of alterity of the distance. I am here and elsewhere, l’Ici est l’Ailleurs.