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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Si tu me vois
#16
Aurélie Belair
Artist selected as part of the open call.
37656 Rue Saint-Gilles
Si tu me vois (2023 – 2024) is an installation composed of clay fish, reduced to enigmatic forms, scattered across the ground like in rare, documented phenomena of animal rainstorms.
On March 8, 2023, coinciding with International Women’s Day, a rain of fish fell upon the Australian town of Lajamanu. During this unusual meteorological phenomenon, animals are swept up in tornadoes and carried over great distances before falling back to the ground during heavy rainstorms. The troubling strangeness of this meteorological phenomenon arises not only from the territorial displacement of the species (from underwater to the sky) but mostly from the fact that some fish landed alive. Our current ecofeminist generation can interpret this phenomenon as a prophetic sign. Art au Centre displays this story, real in its factual basis but fictional in its surreal nature and artistic transposition, to question our interdependencies. Behind the window, the installation reveals a pre-apocalyptic landscape of which we remain mere spectators. As a freeze-frame, it captures a memory of the future.
The title refers to the “hunger stones”, which serve as hydrological markers. Located in riverbeds, these stones become visible only when water levels are extremely low. They are monuments that commemorate or portend famines. Installed or engraved during times of severe drought, they act as warnings: for instance, a rock in the Elbe River in Děčín, Czech Republic, bearing the inscription “Wenn du mich siehst, dann weine” (“If you see me, then weep”), reappeared in August 2022.