Angle Mort

Vivons caché·es is a tribute to marginal life, in the interstices of the city, on rooftops, in tunnels, squats and raves.

Everything that happens far from cameras, beyond fences and barbed wire.

Behind the formal approach and aesthetic dimension, behind the choice to depict cameras and the apparent banality of a security tool, lies a mortifying logic: a complex and intrusive system of surveillance that extends ever further. Through facial recognition or the analysis of messages sent to our loved ones on social networks, through the control of everyone, everywhere, all the time.

In a world where the norm has become obligation, living according to one’s own rules, outside the laws of the market and the logic of “always more”, has become a subversive act. It is also an affirmation of what scares them: that some people have values opposed to the world you are building and are determined to become its antagonists.

Facing the obviousness of the catastrophe, there are those who are indignant and those who act. Those who denounce and those who organize.

We are among those who organize.