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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Sofia Boubolis
Curator : Maxime Moinet
2422 Rue Lulay des Fèbvres
Facing the observer, an acrylic fresco. A common practice that Sofia Boubolis gets from her childhood, when she was painting the walls of her house. This fresco is inscribed in the space as it was discovered by the artist, a residue from a construction site. The painted sign, already there for the previous exhibition (it has nearly not moved), becomes the image that conceals the works to reveal what needs to be seen : the inside of a room, a large patterned sheet, a painting, dried flowers, the edge of a lamp, a post-it. The composition comes within the scope of still life and refers more particularly to the series The Interiors (1992) of pop art artist Roy Lichtenstein (1923-1997) inspired by banal domestic environments of advertisements.
The painted elements on the wall are all foregrounds and backgrounds that are a part of the excellent illusion of the trompe l’œil, wink to yesterday’s vanities. The eye, even hazier than the represented inside, is also inscribed in another inside, the one of the window, which components form other foregrounds and backgrounds. The frame explodes at the same time as the separation between the 2D and 3 D image, the outside and the inside, the false and the real.
Overall, Sofia Boubolis’ work stands on the edge of painting and drawing, on a porous border between abstraction and figuration. Landscapes play a crucial role. Be they terrestrial or celestial, enclosed or infinite, they contain a multitude of moments, real or ghostly, and possible interpretations of which the artist enjoys evoking the shapes in these works.