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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Le bois parle avant qu’il ne casse
#3
Bart Spitaels
Curator : Philippe Braem
608 Rue Gérardrie
Bart Spitaels’ formal universe draws on the intertwining of nature, technology and the socio-industrial history of a territory. To create his artworks, the artist usually initiates long formal research (multiple visits and pictures of industrial sites, numerous sketches and samples of colors, models, prototypes) before getting to recreate new compositions by coupling existing elements of the industrial heritage, buildings and machines, with shapes and colors that emerge from his imagination.
Nevertheless, due to the current sanitary crisis, the artist was forced to limit his work methodology to create the artwork exhibited in this window display. His initial project was born during a first visit to Liege, when he fortuitously met Anthony, a Frenchman living in the city. The latter shares with him his impressions on the city : here, the walls of the buildings seem to be darker than elsewhere. The hypothesis that remains of black soot from old coal mines still cover the walls of the city has brought Bart Spitaels’ imagination to a boil. Straightaway, it was clear for him that the dominant color of his project would be black. On the other hand, he was also fascinated by the beautiful green spaces that surround the city and by the chestnut that, by its shape and size, reminds him of coal.
The artwork exhibited in this window display evokes an unknown plant on which the chimneys grow. The leaves are turned upwards and are reminiscent of an inferno, coal combustion but also Liege, also called the burning city.