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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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WILL
#3
Antoine Van Impe
Curator : Maxime Moinet
6298 Rue de la Cathédrale
« It’s raining. The water trickles down and rushes into the overflowing holes. His oilskin is dripping. He walks up his street, painfully, his shoulders heavy with water and life. The droplets crumble from his beard. The thunder scolds him for his meager day. His net is quite empty.
The rooftops do not smoke, the small port town has fallen asleep forever. No more holidaymakers in recent years, no more work sites for children on the beach, no more trenches for the castle moats. The shovels and buckets were left in the sand. Lightning encircles the lighthouse, a flickering candle. His bed will be empty. Formerly, when his wife was still there, together, they used to run the fish and chips place.
The lock creaks, his boots creak. He throws his three catches on the table. Through the net, wide eyes stare at him. His cracked and sticky hands open, empty, rinse, rub. The pungent smell scents the room. Same ritual, indefinitely. Skins full of mirrors shine. His knife blade shines. It is decided, tomorrow he will not go back there either, he will never go fishing again. » (Nastasja Caneve)
Antoine Van Impe jointly uses various mediums and techniques to study and question the relationships between the different phenomena and experiences of being. More than the exposition of facts and effects, these works are propositions made to an imaging consciousness.