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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Sérendipité
#3
Laure Winants
Curator : Thibaut Wauthion
6332 Passage Lemonnier
Brazil, Amazon forest. Its domination over the jungle can’t be questioned. Visible for several kilometers around, it overlooks the vegetation, still, asleep. Its steep slopes evoke its former nature and power. Its silence reassures and stirs the curiosity. The volcano. Laure Winants has used it as one of the most important objects of artistic study. The observation is key in her approach, like many scientists. She creates a dialogue with nature, a dialogue with science.
Belgium, Brussels. Experimentation is an integral part of Laure Winants’ creative process. Her raw material, photographs taken worldwide or collected from scientists, feeds a complex technique, called photoengraving, where chance and failures occupy a preponderant place. Rarely meeting the expectations, the outcome brings a good dose of surprise and amazement. Serendipity and poetry meet up.
Brazil, Amazon forest. Laure Winants’ photography immortalizes a moving nature. As fire has conquered this idyllic landscape, it will never be similar to what the artist could observe many times. The hope for seeing it again and feeding a fast-moving artistic production yet remains present.
Belgium, Liege. An artwork usually conceals the work that is essential to its realization. Reflection, research and tests are invisible. And yet they are crucial in a creation process like the volcano cliffs that conceal a crater and the magma that generated it ! Laure Winants’ artworks are the result of numerous stages, initiated by researches and exchanges with scientists and materialized thanks to photoengraving. The installation dedicated to AAC partially illustrates this line of thought. A window to an artwork and its evolution.
