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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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HYPEREMPLOYED
#4
Valentino Russo
Open call
8848 Rue de la Cathédrale
In the installation Hyperemployed Valentino Russo reflects on the contemporary condition of the freelancer. Working for more clients at the time, whose offices might be scattered around the globe, makes it impossible to establish a routine with precise working hours and a localized working space.
Consequently, the private space is shaped by the imperative of productivity, turning the bedroom into an office, while the threshold between working hours and leisure time gets increasingly blurry.
In fact, the freelancer is always working. From the moment she wakes up to check for new emails, to the necessity to be constantly present on social media to « share », « connect » and « boost » her network, to the last check to the inbox before going to bed.
Speculating on such scenario, the installation presents a bedroom populated with office items that embody the bitter irony that characterizes the mood and spirit of the exploited freelancer, whose precarious economic situation gives her no choice but to « grin and bear it ».
Mugs with ridiculous job descriptions printed on top, a silly pen holder, a poster with the schedule of a typical working day in a start-up, and on top of the printer a picture of a dog candidly admitting : « I have no idea what I’m doing ».
The term Hyperemployement has been coined by author Ian Bogost.
Valentino Russo is supported by the Mondriaan Fonds with the Stipendium for Emerging Artists.
