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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 Rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
98 Rue de la Cathédrale
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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HYPEREMPLOYED
#4
Valentino Russo
Open call
8848 Rue de la Cathédrale
In the installation Hyperemployed Valentino Russo reflects on the contemporary condition of the freelancer. Working for more clients at the time, whose offices might be scattered around the globe, makes it impossible to establish a routine with precise working hours and a localized working space.
Consequently, the private space is shaped by the imperative of productivity, turning the bedroom into an office, while the threshold between working hours and leisure time gets increasingly blurry.
In fact, the freelancer is always working. From the moment she wakes up to check for new emails, to the necessity to be constantly present on social media to « share », « connect » and « boost » her network, to the last check to the inbox before going to bed.
Speculating on such scenario, the installation presents a bedroom populated with office items that embody the bitter irony that characterizes the mood and spirit of the exploited freelancer, whose precarious economic situation gives her no choice but to « grin and bear it ».
Mugs with ridiculous job descriptions printed on top, a silly pen holder, a poster with the schedule of a typical working day in a start-up, and on top of the printer a picture of a dog candidly admitting : « I have no idea what I’m doing ».
The term Hyperemployement has been coined by author Ian Bogost.
Valentino Russo is supported by the Mondriaan Fonds with the Stipendium for Emerging Artists.