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Histoires simples
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107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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HIGH FIVE
#4
Sophie Ullrich
Curator : Saryna Nyssen
93159 En Féronstrée
Sophie Ullrich’s Difficulties with the high five thumbs its nose at Covid-19. These linear and graphic hands, symbol of her work, stage a vain attempt of greeting. The two protagonists are reduced to the simple curves of two hands. These two individuals, it’s us today, they meet. In a jerky and groping dance, they try a greeting, a « high five », to finally avoid each other, miss each other by a matter of minutes, and not touch each other. The animation humorously deals with our new everyday life : the insecurity where social distancing is at the center of the new social interactions. Our rituals evolve. However, the superposition of the images created by the selected techniques suggests that the individuals skim past each other and that corporal interaction remains induced.
The animation is an analogical projection, distant mechanical process replaced by digital technologies… just like our relationships during the lockdown. The drawn sheets are moved onto an abstract pictorial background. The function of the painted canvas is a distant decor. By doing so, Sophie Ullrich offers a perspective physically included and the play of shadows becomes reality.