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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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MANGER AVEC LES YEUX
#4
Lisa Sudhibhasilp
Open call
926 Rue Gérardrie
In recent years, I developed my work around the presentation modes (display). By studying the mechanisms of exposure and arrangement of museums and stores, I gradually extracted strategies of presentation that fed my work process. I enjoy observing how products, objects or artworks are shown, exploring and revealing the underlying methods that are used to value them, sometimes even by fetishizing them. I distort the aesthetics borrowed from design to question the status and the hierarchy of the shown object, sometimes creating in this way a confusion of roles between the presented object and the display as an object.
« Magritte goes to a grocer’s shop near his house to buy Dutch cheese. The merchant leans towards her stall to pick up a started piece but has her movement almost directly stopped by the painter :
– No, madam. Not this one. I’d rather buy this other one.
And he points at a second piece, started as well, placed a bit on the side, on a shelf.
– But it’s the same cheese ! The merchant shouts.
– No, madam, Magritte objects again. The one on the stall has been observed by the passersby all day long. »
(Mariën Marcel, Suivre à Magritte, dans L’Art Belge, January 1968.)
Manger avec les yeux is an installation that hinges on this anecdote told by Marcel Mariën. Here in the window, the cheese is replaced by a turning cake tray, without cake. I invite the passersby to contemplate this object of presentation stripped of its function and to « consume » it with their eyes.
Hand-painted text by Miles Signs.