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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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INFLATION
#5
Anna Mancuso
Curator : Mermermer (Mikail Koçak & Anna Ozanne)
10848 Rue de la Cathédrale
Documentary filmmaker and artist Anna Mancuso combines video art and performance in her artistic work. The space behind the window turns into a high-risk laboratory in which the stages of the experience, the story of the past assay and the observation of what remains answer each other.
Slowly but surely, with only muscle strength, the organic faces the architecture, the air pushes the boundaries of space.
The realization of the installation lasted several days. Anna Mancuso had brought inflatable objects, materials to make plaster, cameras, an air pump… She poured rectangular shapes. A bit later, once the material was dry, she slipped on her suit, her mask and her protective gloves. She eventually buckled down to the crucial and dangerous phase of her project :
The artwork functions as a sensual sensory stimulus : relaxing pleasure to passively attend a disaster foretold from the street.
What happened ? Posted in front of the window, facing the indelible stains of the past surrealist event, and thanks to the video archives broadcasted in this tiny exhibition space, you will see for yourself the extent of the damage. You will understand that « creating means destroying » and vice versa, and that failure is relative and daring is always rewarded.

