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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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UAV (Une Affaire Véreuse)
#12
Vincent Burger
Artist selected as part of the call for projects
281100 Rue Saint-Gilles, 4000 Liège Angleur, Belgique Liège
The drone, also called UAV (Unmanned Aerial Vehicle), was first developed for mili-tary purposes, then as a police surveillance tool and also used for recreational purposes. It could undergo a new major mutation in the universe of e-commerce. This installation is a pastiche of drone delivery which is currently being tested in the United States and has been promised to the rest of the world for several years, by Amazon for example. Although it is still absent from our daily lives, this new technology is present in the collective imagination thanks to its representation in the media, in stock images and promotional videos. These drones created from second-hand chandeliers seem to come from a retro futuristic universe in which high technology would have retained a kitsch or rus-tic appearance. It’s a humorous way to tarnish the image of the «lazy» economy magnate and to anticipate a swarming invasion of robots into the urban space. To describe my artworks, I invented the term “Tech-Naze”, a satirical and “French” version of cyberpunk, where technological dystopia rubs shoulders with pâté en croûte.
The boxes transported by these drones seem to come from a parallel universe where the logos of famous companies have mutated or merged. They are thus reminiscent of the amusing tactics of trickery employed by unscrupulous indus-trialists. The multiplicity of represented motifs evokes the permanent instability of the mercantile flow and echoes the concept of “liquid society” theorized by Zygmunt Bauman.