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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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This grrrl is dolling up
#12
Axelle Bruniau
Artist selected as part of the call for projects
28031b Rue de la Cathédrale
As a child, I used to collect orphan socks to turn them into rag dolls. I have never been offered a doll. I created them myself, as I shape myself today as a transexual woman. From cloths to estrogen injections, from sock shaping to facial femini-zation and scalpel. Becoming a doll means becoming more feminine and moving from one gender expression to another. I use the orphan sock as a raw material. The unique orphan sock which we no lon-ger wear and we abandon while desperately waiting to reform the pair. Its trans-formation into a little doll gives way to excess, an assembly of orphans which are woven together to create community and cohesion. I have long observed the houses of my childhood neighborhood. One day, I decided to sculpt clay miniatures of them. They tended to make me dizzy because of their resemblance. They are the symbol of a culture that I fled at the age of 15 when I understood its limits and the way I would remain locked up if I did not leave it. Today I create a new balance of power between miniature and gigantic. I give the doll the opportunity to take up space, to impose itself and to be celebrated in the middle of a space that loses its grip due to its lesser size and its dissolution.