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The price is worth it
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Boulevard d'Avroy 28-30
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100 Rue Saint-Gilles
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Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
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18 Rue de l'Etuve
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La constellation du navire Argo
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Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
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31a Rue de la Cathédrale
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29 Rue de l'Université
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Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Maxence Mathieu
56 Rue Saint-Gilles
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Élodie Merland
113 Rue de la Cathédrale
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107 Féronstrée
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Camille Peyré
85 Rue de la Cathédrale
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Leïla Pile
75 Rue Hors-Château
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Ionut Popa
101 Féronstrée
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Louise Rauschenbach
4 Rue de la Cathédrale
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Florian Schaff Marvyn Brusson
1 Rue Courtois
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Passage Lemonnier, 37-39
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Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
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137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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One Line (… Better Than On – line!)
#14
Marin Kasimir
Curator : Sandrine Bouillon
33231a Rue de la Cathédrale
First a drawing, in a small notebook, one night, then, one day, a drawing in space, a drawing in steel or any other rigid material, a geometric space-drawing materialized in three dimensions, a continuous line, a single uninterrupted and 36 times folded line, a long line regularly and perpendicularly folded in space, a line creating space: a sculpture.
This sculpture is suggesting a ground, walls, doors and movement.
It is clearly an object to look at, and you can master it by one look, this sculpture. But it is also suggesting being enlarged, like sometimes scale models do, until one can cross it. By changing its scale, you don’t change only the dimensions, but also, and above all it’s status.
Even if it is penetrable, traversable, bypassable, you cannot use it, at least in a most direct way. This kind of revolving door doesn’t move, you can’t hide behind the walls, and you can’t close the doors: they are staying open, also in a metaphorical sense, in every sense.
Seen from far, it is also an image. People inside the work would be part of this image, – even without participating. This big sculpture, which, actually, is not a sculpture anymore but not yet, an architecture, suggests also to invent scenarios, for art-lovers or amateurs, for adults or children.
A scene for theater plays, for dance, pantomime or any kind of games. The public decides.
In any case, it is a platform where people can meet in a more easy way, a place for dialogues ( … ).