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The price is worth it
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TO DO
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100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
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29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
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5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
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107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
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4 Rue de la Cathédrale
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1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
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Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
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137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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La constellation du navire Argo
#14
Sarah Illouz & Marius Escande
Artist selected as part of the open call
331Hôtel de la Cour de Londres 40 Rue Hors-Château
For Art au Centre, Sarah Illouz and Marius Escande present a new version of their installation : La constellation du navire Argo, navigating between traditional and contemporary mythologies. It stems from a reflection on Robert Graves’ book The Golden Fleece, which confronts various accounts of the ancient myth of Jason and the Argonauts.
According to the authors recounting the legend of the Golden Fleece, it possesses a gleam of gold or purple, serving as a symbol of immortality enveloping its possessor in a vibrant radiance. On these purple curtains, a constellation made of food represents the ship of the Argonauts. These food items echo the cornucopia, a legendary object shaped like a ruminant’s horn, or a triton shell used by Pluto, the Greek god of wealth and abundance. It is often depicted brimming with fruits, as well as milk, honey and other sweet foods. It symbolizes an inexhaustible source of blessings.
Here, the plastic food items have been chewed by two generations, and the textile comes from Nona source, a company dedicated to revaluing dormant stocks. Abundance is a myth, “as an imaginary resource and a source of understanding our inconsistency and madness, and as a tool available to every human community, battered by globalization, to reinvent itself[1].”
As a duo, the artists design installations, devices, ways of living, connecting, and thinking together, ways of dwelling and learning with others and locally. They explore ancestral techniques, their evolutions and their histories.