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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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La constellation du navire Argo
#14
Sarah Illouz & Marius Escande
Artist selected as part of the open call
331Hôtel de la Cour de Londres 40 Rue Hors-Château
For Art au Centre, Sarah Illouz and Marius Escande present a new version of their installation : La constellation du navire Argo, navigating between traditional and contemporary mythologies. It stems from a reflection on Robert Graves’ book The Golden Fleece, which confronts various accounts of the ancient myth of Jason and the Argonauts.
According to the authors recounting the legend of the Golden Fleece, it possesses a gleam of gold or purple, serving as a symbol of immortality enveloping its possessor in a vibrant radiance. On these purple curtains, a constellation made of food represents the ship of the Argonauts. These food items echo the cornucopia, a legendary object shaped like a ruminant’s horn, or a triton shell used by Pluto, the Greek god of wealth and abundance. It is often depicted brimming with fruits, as well as milk, honey and other sweet foods. It symbolizes an inexhaustible source of blessings.
Here, the plastic food items have been chewed by two generations, and the textile comes from Nona source, a company dedicated to revaluing dormant stocks. Abundance is a myth, “as an imaginary resource and a source of understanding our inconsistency and madness, and as a tool available to every human community, battered by globalization, to reinvent itself[1].”
As a duo, the artists design installations, devices, ways of living, connecting, and thinking together, ways of dwelling and learning with others and locally. They explore ancestral techniques, their evolutions and their histories.