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The price is worth it
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Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Uhoda Collection
#12
Fouad Bouchoucha Guillaume Bijl
Works from the Collection Uhoda
27925 Rue Saint Paul
Composition trouvée
Since the end of the 1980s, Guillaume Bijl has been exploring the boundaries between art and social reality in his artworks. In reference to Dadaism’s (art movement that appeared during the First World War and advocates freedom of creation) «found objects», the artist creates his «found compositions», a sort of archaeological still life of our contemporary society. These collections of banal objects – found in flea markets or vintage stores – are always thoroughly thought out and transform exhibition spaces into daily life spaces. Seen by the viewer as familiar environments, these “fragments of realistic and kitsch interior” are a way for the artist to confront the viewer with his own consumerism in a humorous and ironic way.
Goodbye Horses 1
Goodbye Horses 1 is a replica model of artwork Goodbye Horses which was presented at the Palais de Tokyo in 2013. Fouad Bouchoucha designed a project around the Bugatti Veyron. 7L agency then created the computer-generated imagery of the project and supported to create the file which would make Bugatti the main partner for the production.
The artist convinced the manufacturer of “the fastest car in the world” to produce the object that would surpass its own potential and thereby prohibit its driving. From this process results an aesthetic and aerodynamic embellishing which perfects the faculties of the machine and obstructs at the same time all ways of visibility (headlights, front windshield). Dragged beyond its own limits, the modeled Bugatti is made unusable. Technology disconnected from its human use no longer makes sense here.