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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Uhoda Collection
#12
Fouad Bouchoucha Guillaume Bijl
Works from the Collection Uhoda
27925 Rue Saint Paul
Composition trouvée
Since the end of the 1980s, Guillaume Bijl has been exploring the boundaries between art and social reality in his artworks. In reference to Dadaism’s (art movement that appeared during the First World War and advocates freedom of creation) «found objects», the artist creates his «found compositions», a sort of archaeological still life of our contemporary society. These collections of banal objects – found in flea markets or vintage stores – are always thoroughly thought out and transform exhibition spaces into daily life spaces. Seen by the viewer as familiar environments, these “fragments of realistic and kitsch interior” are a way for the artist to confront the viewer with his own consumerism in a humorous and ironic way.

| White Cube rue Saint-Paul à Liège
| 2023-06
| Guillaume BIJL (1946, BE)
| Composition trouvée, 1992
| Installation
| Imitations parfaites de la réalité
Goodbye Horses 1
Goodbye Horses 1 is a replica model of artwork Goodbye Horses which was presented at the Palais de Tokyo in 2013. Fouad Bouchoucha designed a project around the Bugatti Veyron. 7L agency then created the computer-generated imagery of the project and supported to create the file which would make Bugatti the main partner for the production.
The artist convinced the manufacturer of “the fastest car in the world” to produce the object that would surpass its own potential and thereby prohibit its driving. From this process results an aesthetic and aerodynamic embellishing which perfects the faculties of the machine and obstructs at the same time all ways of visibility (headlights, front windshield). Dragged beyond its own limits, the modeled Bugatti is made unusable. Technology disconnected from its human use no longer makes sense here.

| White Cube rue Saint-Paul à Liège, 2023-07
| Fouad BOUCHOUCHA (1981, FR)
| Goodbye Horses 1, 2010
| Sculpture
| L’adieu à la course !