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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Le temps d’une trace / La trace du temps
#14
Florian Schaff Marvyn Brusson
Curator : BAL (Beaux-Arts de Liège)
3451 Rue Courtois
Florian Schaff will tell you he often wants to work ceramics when in a carpentry workshop… Could tools or materials swap purposes? His work seems to grow from such reveries. Which then consists of crafting seriously in non-serious ways: an unconventional use of tools and materials gives them a chance to tell something else. He draws from raw carving material and highlights the slow degradation of these materials. They become physical extensions of disappearance… The passage of the object in its track?
Time track
Marvyn Brusson will tell you he turned towards a contemplative vision of his work on time: his art installation showcased at the Liège Fine Arts department in the Botanique highlights the erosion process of materials. An Y-Tong block suspended above a blue stone carved in the shape of a bowl, a stream of water flowing endlessly through the block which ends its course in the blue stone’s pit… The viewer will witness this progressive swap between the full matter of the block and the bowl’s hollow. It also showcases the increasing pollution of natural stone by the residues of the white composite block…