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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Collecting Time
#12
Bo Vloors
Artist selected as part of the call for projects
29985 Rue de la Cathédrale
In a world where confidence in progress is a must, the speed of this progress is often regarded as the measure of success. Time became twice as precious and slowness is often perceived as counterproductive. While the rhythm of the city often jumps back and forth between fast and slow; open or closed; in motion or paused (which requires effortless resilience that determines the life and well-being of its citizens), the cycle of nature embodies a much slower and steadier pace. Collecting Time aims to address this incessant and unpredictable rhythm of urban life. The snail and its slow movements – often perceived as dull – is one of nature’s many performers to embody this slow but steady pace. With the photographic representation of the snail, enclosed in a blue space (one of nature’s rarest colors, apart from the reflection between water and sky, a few flowers, animals and minerals), and a neon light demanding your attention, Collecting Time aims to reorientate our collective responsibility for rhythm, perception of time and progress by activating our collective awareness for a slower but more stable pace as a form of care. This photographic representation of the snail can be found both in the installation and in various locations in the urban landscape of Liège, faithful to the invasive nature of the animal.