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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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TO DO
#14
Hilal Aydoğdu
Artist selected as part of the open call
327100 Rue Saint-Gilles
To do:
□ to be his right fit
□ fulfill all his needs
□ show audacity
□ be able to manage his states of anxiety
□ bend over backward for him
□ step aside when you’re not useful
□ do housework = be his servant
□ be able to show 1% courage and 99% self-sacrifice
□ …
To do is the list of things to do to satisfy the needs of one’s husband and to forget one’s own.
The window allows us to gaze upon one of the most intimate spaces. The space of our social constructs, our childhood dreams or our nightmares as women, the bedroom.
Hilal Aydoğdu, with a master’s degree in drawing from the Fine Arts of Liège, has had several years of experience in performance art, further developed at La Cambre in Brussels.
Her artistic approach primarily aims to question the place of women within a male-dominated world. She proposes to engage with the mechanisms that work to establish a deleterious hegemony (namely, patriarchy) primarily through culture, by exploring the morbid lexicon of values and injunctions it conveys: honor, virginity, obedience.