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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Terres battantes
#16
Camille Barbet
Artist selected as part of the open call.
375100 Rue de la Cathédrale
Created from 91 ceramic tiles, Terres battantes draws inspiration from both the tradition of the well-known Delft tiles* and the recent protests by farmers, while rooting this reflection in the memories of traditional rural life.
Terres battantes highlights the resilience and struggle of farmers against economic, political and environmental pressures. The depicted scenes alternate between representations of protests and farmers’ marches into the city, as well as moments of farm life full of tenderness and remembrance. Each tile tells a story, a scene, a memory, and allows for the reconstruction, piece by piece, of the history of a transforming world.
The title, Terres battantes, refers to this dual tension: on one hand, the land that shakes under the effort of the men and women who cultivate it; on the other, the land that fights against the injustice and the violence it endures. It is a cry of solidarity and resistance, but also a tribute to the deep roots of agriculture and the legacy of working the soil.
With this collection of tiles, I sought to capture a moment in history, between the memory of the past and the urgency of the present, while inviting the viewer to reflect on the contemporary challenges tied to the future of our lands.
*Delft tiles, with their traditional blue-and-white aesthetic, are emblematic objects that evoke a strong cultural and artisanal heritage from Flanders and northern countries, associated with representations of landscapes, scenes of daily life and historical events during their rise in the 17th century.