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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
#17
M.Eugène Pereira Tamayo
Artist selected as part of the open call
40918 Rue de l'Etuve
My artistic practice lies at the junction of sculpture, performance and language, where I develop discomfort as a means of drawing attention, triggering transformation and generating friction. Influenced by a dual heritage, both working-class and symbolic, I work with humble materials and everyday gestures to spark spaces of exchange, tension and narrative.
Cognitive dissonance, this state of discomfort in which conflicting ideas and perceptions coexist, is at the core of my approach. I embrace formal ambiguities, straddling furniture, prosthesis and sculpture, while twisting language through puns in order to craft situations where points of reference start to shift, where art collides with banality, politics and life.
In this window, I present ALREADYMADE n°3: Empty Cart or Cardboard Cybertruck: an absurd sculpture that hijacks the high-tech, security-laden imagination behind the Tesla vehicle. Chrome’s arrogance here meets cardboard’s fragility: a flashy, unstable and porous simulacrum. The fantasy of power becomes a precarious accessory, the promise of strength, an improvised fiction.
Through this empty, low-tech cart, I aim to question contemporary myths of technological invincibility. This cardboard proposition is not mere parody: it acts as a distorted mirror of a faltering desire for control. A bittersweet dissonance to be activated, handled and reconfigured, inviting us to embrace differently the objects in which we place our faith.