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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 Rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
98 Rue de la Cathédrale
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
#17
M.Eugène Pereira Tamayo
Artist selected as part of the open call
40918 Rue de l'Etuve
My artistic practice lies at the junction of sculpture, performance and language, where I develop discomfort as a means of drawing attention, triggering transformation and generating friction. Influenced by a dual heritage, both working-class and symbolic, I work with humble materials and everyday gestures to spark spaces of exchange, tension and narrative.
Cognitive dissonance, this state of discomfort in which conflicting ideas and perceptions coexist, is at the core of my approach. I embrace formal ambiguities, straddling furniture, prosthesis and sculpture, while twisting language through puns in order to craft situations where points of reference start to shift, where art collides with banality, politics and life.
In this window, I present ALREADYMADE n°3: Empty Cart or Cardboard Cybertruck: an absurd sculpture that hijacks the high-tech, security-laden imagination behind the Tesla vehicle. Chrome’s arrogance here meets cardboard’s fragility: a flashy, unstable and porous simulacrum. The fantasy of power becomes a precarious accessory, the promise of strength, an improvised fiction.
Through this empty, low-tech cart, I aim to question contemporary myths of technological invincibility. This cardboard proposition is not mere parody: it acts as a distorted mirror of a faltering desire for control. A bittersweet dissonance to be activated, handled and reconfigured, inviting us to embrace differently the objects in which we place our faith.