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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Qu’est-ce-qui se trame ici ?
#17
Centre André Baillon
4161 Féronstrée
The result of a workshop organized at Centre André Baillon[1], this evolving window created for AAC17 reforms the association’s space by assembling a series of evocative “trace” elements:
Paint-splattered panels from the studio recall the successive artworks that were produced there[2]. Additionally, sofas from a communal lounge evoke the concept of an open and collaborative approach to psychotherapy. Sound recordings recount episodes from this environment, serving as archives of interconnected personal stories. These narratives are also translated graphically into large-scale drawings, revealing a constellation of places and people, a network and a territory. The arrows, deliberately left undefined, symbolize the relationships between individuals. They are the threads of the story, weaving the fabric of its unfolding. This system highlights the impulses and flows that initiate events. The density and complexity of the outline lends them a certain illegibility. The intimate is here revealed less through form than through concept. Meaning arises from the collective nature of the artwork, unified by a shared graphic language. The “Sociogenogram[3]” is used here for its expressive artistic potential: as a sketch captured on the fly, it paradoxically conveys the complexity of the situations experienced by service users and members of the psychosocial support network. The window literally reflects a kind of disorder. More importantly, it conveys the multiplicity of forces at play. It will be periodically activated by the collective during shared sessions.