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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 Rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
98 Rue de la Cathédrale
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Qu’est-ce-qui se trame ici ?
#17
Centre André Baillon
4161 Féronstrée
The result of a workshop organized at Centre André Baillon[1], this evolving window created for AAC17 reforms the association’s space by assembling a series of evocative “trace” elements:
Paint-splattered panels from the studio recall the successive artworks that were produced there[2]. Additionally, sofas from a communal lounge evoke the concept of an open and collaborative approach to psychotherapy. Sound recordings recount episodes from this environment, serving as archives of interconnected personal stories. These narratives are also translated graphically into large-scale drawings, revealing a constellation of places and people, a network and a territory. The arrows, deliberately left undefined, symbolize the relationships between individuals. They are the threads of the story, weaving the fabric of its unfolding. This system highlights the impulses and flows that initiate events. The density and complexity of the outline lends them a certain illegibility. The intimate is here revealed less through form than through concept. Meaning arises from the collective nature of the artwork, unified by a shared graphic language. The “Sociogenogram[3]” is used here for its expressive artistic potential: as a sketch captured on the fly, it paradoxically conveys the complexity of the situations experienced by service users and members of the psychosocial support network. The window literally reflects a kind of disorder. More importantly, it conveys the multiplicity of forces at play. It will be periodically activated by the collective during shared sessions.