-
Around The Corner
Zena Van den Block
35 Rue Souverain Pont
-
VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
-
Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
-
The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
-
QuickSnap
Camille Poitevin
40 Rue Hors-Château
-
P.O.F
Ronan Marret
75 Rue Hors-Château
-
Belles récompenses
Mathilde Manka
159 Féronstrée
-
Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
-
Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
-
À mon seul désir
Gral
32 Rue de la Cathédrale
-
Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
-
Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
-
Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
-
Pie in the sky
Justine Corrijn
20 Rue de la Sirène
-
Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
-
Dés-Affectations
Elie Bolard
84 Féronstrée
-
Kader / Cadre
Doris Boerman
29 Rue de l'Université
-
Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
-
Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
-
Terres battantes
Camille Barbet
100 Rue de la Cathédrale
-
The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
-
J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
-
my belongings
Celine Aernoudt
5 Rue Chéravoie
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

Belles récompenses
#16
Mathilde Manka
388159 Féronstrée
In May 2023, nearly all my paintings were stolen on a sidewalk of Outremeuse in Liège.
Ten years of vanity, tenderness and chaos, once offered to the beautiful eyes of all, have since only made the eyes of a scrupulous thief or an ill-advised admirer cry (in addition to my own eyes).
In September of the same year, I organized the first edition of Belles récompenses in the vaults of the National Bank’s printing house and presented a triptych of large-format reproductions of three small paintings lost in the theft. All three were selected simply because they were my favorites.
I recreated the crime scene, invoked my abductor through the below proverb and invited him to return my paintings, offering an exchange for these three reproductions, stunning rewards, larger, more detailed, more important, more precious, except to me.
“ill got, ill spent”
What about what’s truly lost?
The sentimental value of a lost treasure, just like a gold bar for a missing dog on a crumpled poster, sometimes makes the bait bigger than the catch.
Belles récompenses questions blackmailing and the value of things. What do we gain when we lose something? What do we receive when we return something? What if the outline of emptiness was the frame of something magnificent?