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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Collecting Time
#12
Bo Vloors
Artist selected as part of the call for projects
29985 Rue de la Cathédrale
In a world where confidence in progress is a must, the speed of this progress is often regarded as the measure of success. Time became twice as precious and slowness is often perceived as counterproductive. While the rhythm of the city often jumps back and forth between fast and slow; open or closed; in motion or paused (which requires effortless resilience that determines the life and well-being of its citizens), the cycle of nature embodies a much slower and steadier pace. Collecting Time aims to address this incessant and unpredictable rhythm of urban life. The snail and its slow movements – often perceived as dull – is one of nature’s many performers to embody this slow but steady pace. With the photographic representation of the snail, enclosed in a blue space (one of nature’s rarest colors, apart from the reflection between water and sky, a few flowers, animals and minerals), and a neon light demanding your attention, Collecting Time aims to reorientate our collective responsibility for rhythm, perception of time and progress by activating our collective awareness for a slower but more stable pace as a form of care. This photographic representation of the snail can be found both in the installation and in various locations in the urban landscape of Liège, faithful to the invasive nature of the animal.