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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Fruits Prétendus
#12
Jonathan Bablon
Artist selected as part of the call for projects
2761 En Féronstrée
This installation is made up of tree trunks which are held horizontally by a system of metal stands. On their surface, the verdant moss is artificially fed by a network of pipes which, like a medical drip, follows the spreading of the branches from an aquarium filled with rainwater to keep the plant alive. This installation displays ceramics which are placed on the branches : they represent vegetable species in full mutation. We recognize the appearance of certain fruits and vegetables that are traditionally present on our stalls all year round such as zucchini, cucum-bers, corn, peppers, etc. Each ceramic assembly displays a unique hybridization of these multi flesh tones fruits.
These market gardening representations are symptomatic of an anthropocentric posture where humans establish themselves as the undisputed masters of life. These representations question the limits of their power of domestication and control. Between the artifice of ceramics that exacerbates geometries and colors and the sinuous organicity of trunks and mosses, this artwork invites us to rethink the computational ideology that our society systematically applies to its environment.
Like crossbreeding experiments and other genetic manipulations carried out in laboratories, the installation will thus guide the visitor into the heart of a joyful, disturbing and seductive biotechnological nature.