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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Fruits Prétendus
#12
Jonathan Bablon
Artist selected as part of the call for projects
2761 En Féronstrée
This installation is made up of tree trunks which are held horizontally by a system of metal stands. On their surface, the verdant moss is artificially fed by a network of pipes which, like a medical drip, follows the spreading of the branches from an aquarium filled with rainwater to keep the plant alive. This installation displays ceramics which are placed on the branches : they represent vegetable species in full mutation. We recognize the appearance of certain fruits and vegetables that are traditionally present on our stalls all year round such as zucchini, cucum-bers, corn, peppers, etc. Each ceramic assembly displays a unique hybridization of these multi flesh tones fruits.
These market gardening representations are symptomatic of an anthropocentric posture where humans establish themselves as the undisputed masters of life. These representations question the limits of their power of domestication and control. Between the artifice of ceramics that exacerbates geometries and colors and the sinuous organicity of trunks and mosses, this artwork invites us to rethink the computational ideology that our society systematically applies to its environment.
Like crossbreeding experiments and other genetic manipulations carried out in laboratories, the installation will thus guide the visitor into the heart of a joyful, disturbing and seductive biotechnological nature.