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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Uhoda Collection
#11
Mark Melvin Cornelius Annor
Artworks of the Uhoda Collection
25025 Rue Saint Paul
SAME AGAIN (A SIGN FROM CYNDI)
Mark Melvin’s artworks invite the viewer to reflect through sentences that remain in the head for a long time. They remain in our memory, release subjective memories, and take on different meanings according to the viewer’s personal experiences.
In his installation Same again (A sign from Cyndi) he created in 2005, neon lights trace a text in a circle that lights up alternately in blue and pink. The words «Time after Time» turn constantly in a mechanical movement, a hypnotic game on the notion of repetition. The subtitle refers to Cyndi Lauper, a famous singer of the 1980s, and the memories that the artist keeps of her.
KWAME PHOTOOO
Cornelius Annor is a figurative painter who depicts daily life and is often inspired by childhood memories and family history (weddings, baptisms, birthdays, etc.): looking at Cornelius Annor’s work means turning the pages of a family album.
Inspired by the practice of British and Nigerian artist Yinka Shonibare, his unique method of fabric transfer – which involves placing the fabric on the canvas for several hours – leaves a faded remnant of the motif on the canvas, like the sign of a collective memory.
A man in a blue shirt holding a video camera stands on the right side of the composition. This is Mr. Kwame Amponsah, aka Kwame Photooo, a very well-known photographer in Accra who attends all family events during festive times and has become a guardian of lost moments.