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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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La suite dans un instant…suite
#12
Sébastien Delvaux
Artists selected as part of the call for projects
2844 Rue de la Cathédrale
… suite reactivates la suite dans un instant, an artwork created in 2010 and already reactivated in 2016, like a sequel… a sequel that does not come, a moment that comes back tirelessly, a suspended moment, a parenthesis moment that never ends. A moment that struggles to find its sequel and repeats itself in various forms as many attempts to trigger the next moment. La suite dans un instant… suite is approached as a passage. The spectator acti-vates the present of this coming moment to trigger it at the precise moment to leave it behind and move on. Emergency lighting blocks have the particularity of lighting up in the event of a power cut. We usually barely notice them and they only intervene in the event of a malfunction. They represent a moment of uncertainty, an interval, in search of a return to normal. The structure that supports the emergency blocks is made of wood and was built as a temporary module, as one could do on a construction site. It does not seem to be there to work. Its working-class aesthetic contributes to defining a transi-tory moment and to designing a moment that awaits its sequel.