-
À la loupe
Werner Moron
7 Rue de l'Official
-
Cloakroom
Charlotte Delval
37 Rue Souverain Pont
-
Biospheric City
Xavier Mary
25 Rue Saint Paul
-
This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
-
Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
-
Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
-
Between Two
Adrien Milon
31b Rue de la Cathédrale
-
Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
-
Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
-
À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
-
One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
-
Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
-
Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
-
Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
-
Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
-
Peek
Raphaël Meng WU
75 Rue Hors-Château
-
Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
-
Brownfields
Cesare Botti
108 Féronstrée
-
Never Finished
Dirk Bours
84 Féronstrée
-
Empty Reflections
Jason Slabbynck
21 Pont d'Île
-
On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
-
Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
-
Untitled
Reza Kianpour
14 Rue de la Populaire
-
Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
-
Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
P.O.F
#16
Ronan Marret
Artist selected as part of the open call.
38975 Rue Hors-Château
Bakery store concept P.O.F explores the links between food and sculpture. The acronym “Pire Ouvrier de France” (Worst Worker of France) refers to MOF (“Meilleur Ouvrier de France”, Best Worker of France), paying homage to culinary craftsmanship while transposing it into the sculptural sphere.
The installation displays unusual pastries that blend organic, mineral and plastic elements. Beyond the tribute, it presents a dystopian vision of a window where food becomes a deceptive illusion made of non-edible materials. This idea is inspired by the “Cursed Bread” affair, a mass food poisoning incident in a post-war French village, raising questions about the State’s responsibility in food control in times of scarcity.
P.O.F questions: what remains of the military and capitalist industries? Enough to bake a cake made of coal and bones.
The project, created in a workshop and in collaboration with high school seniors, highlights the importance of knowledge sharing and collective work. This approach explores systemic sculptural methods, aiming for a production that is both individual and collectively reproducible.
P.O.F installation ironically reimagines the modern presentation of pastries while questioning our relationship with food in an industrial context. It invites reflection on the transformation of traditional craftsmanship and food-related challenges, all while offering a collaborative and educational artistic experience.
Project carried out with the participation of Prune Wiart, Marie Moulis and Shanel Tahar.