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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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P.O.F
#16
Ronan Marret
Artist selected as part of the open call.
38975 Rue Hors-Château
Bakery store concept P.O.F explores the links between food and sculpture. The acronym “Pire Ouvrier de France” (Worst Worker of France) refers to MOF (“Meilleur Ouvrier de France”, Best Worker of France), paying homage to culinary craftsmanship while transposing it into the sculptural sphere.
The installation displays unusual pastries that blend organic, mineral and plastic elements. Beyond the tribute, it presents a dystopian vision of a window where food becomes a deceptive illusion made of non-edible materials. This idea is inspired by the “Cursed Bread” affair, a mass food poisoning incident in a post-war French village, raising questions about the State’s responsibility in food control in times of scarcity.
P.O.F questions: what remains of the military and capitalist industries? Enough to bake a cake made of coal and bones.
The project, created in a workshop and in collaboration with high school seniors, highlights the importance of knowledge sharing and collective work. This approach explores systemic sculptural methods, aiming for a production that is both individual and collectively reproducible.
P.O.F installation ironically reimagines the modern presentation of pastries while questioning our relationship with food in an industrial context. It invites reflection on the transformation of traditional craftsmanship and food-related challenges, all while offering a collaborative and educational artistic experience.
Project carried out with the participation of Prune Wiart, Marie Moulis and Shanel Tahar.