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Around The Corner
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35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
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40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Parking Cathédrale
#16
Elias Cafmeyer
Artist selected as part of the open call.
38031a Rue de la Cathédrale
Our country is unfortunately infamous in the world of urban planning for the term “Brusselization”. This pejorative is used to describe neighborhoods in cities around the world where urban development appears “haphazard” and historical heritage has been destroyed to make way for soulless buildings. In general, a neighborhood that has undergone Brusselization ends up as a “failed” neighborhood, which is subject to a series of improvement attempts spanning several decades.
Liège serves as an example, with the disappearance of one of the most impressive cathedrals in Europe, scattered skyscrapers placed at random, and semi-highway intersections right in the city center. However, it is precisely this eclectic architectural heritage that gives the city its charm. It makes us fall in love with its streets, where each building tells the story of different eras at a glance.
Parking Cathédrale by Elias Cafmeyer questions this patchwork architecture by synthesizing several urban functions into a single building. The installation appears to be a parking entrance, placed within the portal of a historic building (possibly incorporating stones from the old Saint-Lambert Cathedral), which itself is integrated into a Brutalist structure from the second half of the 20th century. The installation invites viewers to pay closer attention to the richness of our public spaces and to appreciate the hidden beauty within our urban landscape, so that we may proudly reclaim the term Brusselization as a mark of quality.