-
Histoires simples
Léopold Mottet 1 students
107 Féronstrée
-
Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
-
Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
-
Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
-
La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
-
MANTERO
Santiago Vélez
4 Rue de la Cathédrale
-
Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
-
ST END
Pablo Perez
10 Rue Nagelmackers
-
ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
-
Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
-
Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
-
precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
-
S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
-
Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
-
Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
-
Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
-
Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
-
Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
-
Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
-
COMMENT
Kim Bradford
16 Rue du Palais
-
Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
-
L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
-
Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Parking Cathédrale
#16
Elias Cafmeyer
Artist selected as part of the open call.
38031a Rue de la Cathédrale
Our country is unfortunately infamous in the world of urban planning for the term “Brusselization”. This pejorative is used to describe neighborhoods in cities around the world where urban development appears “haphazard” and historical heritage has been destroyed to make way for soulless buildings. In general, a neighborhood that has undergone Brusselization ends up as a “failed” neighborhood, which is subject to a series of improvement attempts spanning several decades.
Liège serves as an example, with the disappearance of one of the most impressive cathedrals in Europe, scattered skyscrapers placed at random, and semi-highway intersections right in the city center. However, it is precisely this eclectic architectural heritage that gives the city its charm. It makes us fall in love with its streets, where each building tells the story of different eras at a glance.
Parking Cathédrale by Elias Cafmeyer questions this patchwork architecture by synthesizing several urban functions into a single building. The installation appears to be a parking entrance, placed within the portal of a historic building (possibly incorporating stones from the old Saint-Lambert Cathedral), which itself is integrated into a Brutalist structure from the second half of the 20th century. The installation invites viewers to pay closer attention to the richness of our public spaces and to appreciate the hidden beauty within our urban landscape, so that we may proudly reclaim the term Brusselization as a mark of quality.