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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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SANS TITRE
#7
Julie Krakowski
Curator : Marjorie Ranieri
1645 Rue Chéravoie
Julie Krakowski is a French artist who lives and works in Brussels. She mostly works with flexible materials to create ambivalent pieces. References to textile are also omnipresent in her work, as much in the different techniques she displays as in the supports and materials she uses.
The diversity of the gestures involved and the probation of the materials (drill / burn / embroider / jab / rust / print / deweave, reweave / braid / squeeze / tie…) are the fundamentals of a complex and intuitive language.
Julie Krakowski hybrids the feelings, fosters the meeting and the dialogue between a multitude of notions. A constellation of meanings cohabit and hang together ; oscillating between questions related to the identity, the body, the role of fashion and the femininity. She also questions the passage of time and goes deeply into an archeology of the memory.
Through a fluid sculptural process, she explores interstitial zones between hardness and softness, outline and shape, gestures and habits.
Several sculptures displayed at Art au Centre #7 are the result of a collaboration with glass blower Jean Charles Miot in the Martell Foundation’s Ateliers du Faire. The plastic artist resided there to create glass and textile hybrid pieces.

