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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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SANS TITRE
#7
Julie Krakowski
Curator : Marjorie Ranieri
1645 Rue Chéravoie
Julie Krakowski is a French artist who lives and works in Brussels. She mostly works with flexible materials to create ambivalent pieces. References to textile are also omnipresent in her work, as much in the different techniques she displays as in the supports and materials she uses.
The diversity of the gestures involved and the probation of the materials (drill / burn / embroider / jab / rust / print / deweave, reweave / braid / squeeze / tie…) are the fundamentals of a complex and intuitive language.
Julie Krakowski hybrids the feelings, fosters the meeting and the dialogue between a multitude of notions. A constellation of meanings cohabit and hang together ; oscillating between questions related to the identity, the body, the role of fashion and the femininity. She also questions the passage of time and goes deeply into an archeology of the memory.
Through a fluid sculptural process, she explores interstitial zones between hardness and softness, outline and shape, gestures and habits.
Several sculptures displayed at Art au Centre #7 are the result of a collaboration with glass blower Jean Charles Miot in the Martell Foundation’s Ateliers du Faire. The plastic artist resided there to create glass and textile hybrid pieces.

