-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
CHAMBER OF REFLECTION
#7
Mégane Likin
Open call
164107 En Féronstrée
In this installation created by Mégane Likin, the window forms a counter space*. It offers itself inside and outside thanks to its large window and the blurred mirror that lies in the background, troubling off-screen of three backlit landscapes. The window becomes the privileged place where the inside is reflected in the outside and the passer-by in his thought. This space that appears open yet remains inaccessible. The hazy mirror leads us to the surrounding landscape that dialogues with the (meticulously) hooked little gardens. These landscapes, fixed or possibly moving, indoor windows, refer us to the horizon of everyone’s projections. They are the reflection of what is already not there anymore. Three similar stretches in all appearances whose simplicity carries us to the heart of the mystery.
« Strangeness and intimacy, melancholy and calming, concentration and relaxation, all in one piece. Landscapes, yet seemingly deserted and silent, seize you like whispering portraits. […] On closer observation nonetheless, and knowing it better, one gradually understands that it is not so much about contemplation, and that it is not really about the landscape in Mégane Likin’s work. […] Memory is not made of eternal immutable moments, as certain photography practices sometimes attempted to have us believe it. On the contrary, it is moving and undulating like a sky that gets created and annihilated by the clouds ; it gets closer to then leave again like a new sea ; it tirelessly redraws and rewrites, like everyone of us. And in the stiff and bald pine tree, under the solidified twig or the rare sand, for those who can hear it, everything moves, everything makes noise ; the least life hesitates, resists. » (Emmanuel d’Autreppe)
Mégane Likin’s work is supported by the Galerie Quai4 in Liège