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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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UAV (Une Affaire Véreuse)
#12
Vincent Burger
Artist selected as part of the call for projects
281100 Rue Saint-Gilles, 4000 Liège Angleur, Belgique Liège
The drone, also called UAV (Unmanned Aerial Vehicle), was first developed for mili-tary purposes, then as a police surveillance tool and also used for recreational purposes. It could undergo a new major mutation in the universe of e-commerce. This installation is a pastiche of drone delivery which is currently being tested in the United States and has been promised to the rest of the world for several years, by Amazon for example. Although it is still absent from our daily lives, this new technology is present in the collective imagination thanks to its representation in the media, in stock images and promotional videos. These drones created from second-hand chandeliers seem to come from a retro futuristic universe in which high technology would have retained a kitsch or rus-tic appearance. It’s a humorous way to tarnish the image of the «lazy» economy magnate and to anticipate a swarming invasion of robots into the urban space. To describe my artworks, I invented the term “Tech-Naze”, a satirical and “French” version of cyberpunk, where technological dystopia rubs shoulders with pâté en croûte.
The boxes transported by these drones seem to come from a parallel universe where the logos of famous companies have mutated or merged. They are thus reminiscent of the amusing tactics of trickery employed by unscrupulous indus-trialists. The multiplicity of represented motifs evokes the permanent instability of the mercantile flow and echoes the concept of “liquid society” theorized by Zygmunt Bauman.