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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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WILL
#3
Antoine Van Impe
Curator : Maxime Moinet
6298 Rue de la Cathédrale
« It’s raining. The water trickles down and rushes into the overflowing holes. His oilskin is dripping. He walks up his street, painfully, his shoulders heavy with water and life. The droplets crumble from his beard. The thunder scolds him for his meager day. His net is quite empty.
The rooftops do not smoke, the small port town has fallen asleep forever. No more holidaymakers in recent years, no more work sites for children on the beach, no more trenches for the castle moats. The shovels and buckets were left in the sand. Lightning encircles the lighthouse, a flickering candle. His bed will be empty. Formerly, when his wife was still there, together, they used to run the fish and chips place.
The lock creaks, his boots creak. He throws his three catches on the table. Through the net, wide eyes stare at him. His cracked and sticky hands open, empty, rinse, rub. The pungent smell scents the room. Same ritual, indefinitely. Skins full of mirrors shine. His knife blade shines. It is decided, tomorrow he will not go back there either, he will never go fishing again. » (Nastasja Caneve)
Antoine Van Impe jointly uses various mediums and techniques to study and question the relationships between the different phenomena and experiences of being. More than the exposition of facts and effects, these works are propositions made to an imaging consciousness.