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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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feinte des corps
#3
Héloise Colrat
Open call
4638 Rue de la Régence
« Nothing is better hidden than what’s present and nothing is more present than what’s hidden. » This quote by Edgar Allan Poe in The Purloined Letter evokes this sense of lack that we try to make up for facing something that we do not understand.
Through sculpture but also photography, I create structures or shapes that are voluntarily incomplete and raise questions.
The elements that I show are potential clutches that are liable to trigger the imagination of the observer.
For this project targeting windows without any function located in the center of Liege, I want to deceive the eye of the observers.
A window is usually designed to be readable because it is supposed to be the attractive window of what we see inside of it.
For this installation, I propose the opposite : a window in which the exhibited object is not directly comprehensible. The object is more enigmatic than transparent. However, the presented pieces are made of crystal, a material that is part of our transparent imagination but here has a different appearance.
Héloïse Colrat was born in Lyon in 1992. In 2017, she graduated from the Haute École des Arts du Rhin in Strasbourg, where she had participated in the glass workshop in 2013. She currently lives and works in Brussels where she continues to develop her artistic practice.

