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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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feinte des corps
#3
Héloise Colrat
Open call
4638 Rue de la Régence
« Nothing is better hidden than what’s present and nothing is more present than what’s hidden. » This quote by Edgar Allan Poe in The Purloined Letter evokes this sense of lack that we try to make up for facing something that we do not understand.
Through sculpture but also photography, I create structures or shapes that are voluntarily incomplete and raise questions.
The elements that I show are potential clutches that are liable to trigger the imagination of the observer.
For this project targeting windows without any function located in the center of Liege, I want to deceive the eye of the observers.
A window is usually designed to be readable because it is supposed to be the attractive window of what we see inside of it.
For this installation, I propose the opposite : a window in which the exhibited object is not directly comprehensible. The object is more enigmatic than transparent. However, the presented pieces are made of crystal, a material that is part of our transparent imagination but here has a different appearance.
Héloïse Colrat was born in Lyon in 1992. In 2017, she graduated from the Haute École des Arts du Rhin in Strasbourg, where she had participated in the glass workshop in 2013. She currently lives and works in Brussels where she continues to develop her artistic practice.

