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Histoires simples
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107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
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109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
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31a Rue de la Cathédrale
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Room Eater
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5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
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31b Rue de la Cathédrale
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COMMENT
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16 Rue du Palais
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Pedro Camejo (série Diaspora)
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
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parade
#4
Hilary Galbreaith
Curator : Sophie Delhasse
769 Rue de la Madeleine
Parade is the third part of Hilary Galbreaith’s (lives and works in Rennes) Bug project started in 2018. The artist develops a fictional, humorous and grotesque universe whose first episodes take the form of fanzine, videos and immersive installations in which we observe the metamorphosis of Sindee into a giant insect. The Kafkaesque story allows the artist to mix with the alienating reality of bureaucratic institutions, digital surveillance or the systems of values and beliefs advocated in our contemporary societies. The voluntarily burlesque and comical nature of the characters and their fantastic and sometimes monstrous universe stages the absurdity and the contradictions of our existence and our lifestyles. The insect figure also suggests an ecological positioning and a real need of degrowth that Hilary Galbreaith tackles in respect of production and transport. Decors, costumes, puppets and instruments show an economy of means, even in the treatment of the materials – often found or reused – and express themselves through a “do-it-yourself” practice.
At Art au Centre, Hilary Galbreaith offers a new version of Parade*, evolving artwork taking the form of installations and musical performances whose presentations give birth to new collaborations. On the day of the preview, the TNHCH group, whose members recently participated in Art au Centre**, will support Hilary Galbreaith for a performance whose costumes and environment will be presented in the window.
* Parade is created with the support of Cripta 747 Residency Program 9 – Turin et le DRAC Bretagne.
** Corentin Canesson & Damien Le Dévedec, The Anal Staircase, Art Au Centre, 2020.

