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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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parade
#4
Hilary Galbreaith
Curator : Sophie Delhasse
769 Rue de la Madeleine
Parade is the third part of Hilary Galbreaith’s (lives and works in Rennes) Bug project started in 2018. The artist develops a fictional, humorous and grotesque universe whose first episodes take the form of fanzine, videos and immersive installations in which we observe the metamorphosis of Sindee into a giant insect. The Kafkaesque story allows the artist to mix with the alienating reality of bureaucratic institutions, digital surveillance or the systems of values and beliefs advocated in our contemporary societies. The voluntarily burlesque and comical nature of the characters and their fantastic and sometimes monstrous universe stages the absurdity and the contradictions of our existence and our lifestyles. The insect figure also suggests an ecological positioning and a real need of degrowth that Hilary Galbreaith tackles in respect of production and transport. Decors, costumes, puppets and instruments show an economy of means, even in the treatment of the materials – often found or reused – and express themselves through a “do-it-yourself” practice.
At Art au Centre, Hilary Galbreaith offers a new version of Parade*, evolving artwork taking the form of installations and musical performances whose presentations give birth to new collaborations. On the day of the preview, the TNHCH group, whose members recently participated in Art au Centre**, will support Hilary Galbreaith for a performance whose costumes and environment will be presented in the window.
* Parade is created with the support of Cripta 747 Residency Program 9 – Turin et le DRAC Bretagne.
** Corentin Canesson & Damien Le Dévedec, The Anal Staircase, Art Au Centre, 2020.