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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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parade
#4
Hilary Galbreaith
Curator : Sophie Delhasse
769 Rue de la Madeleine
Parade is the third part of Hilary Galbreaith’s (lives and works in Rennes) Bug project started in 2018. The artist develops a fictional, humorous and grotesque universe whose first episodes take the form of fanzine, videos and immersive installations in which we observe the metamorphosis of Sindee into a giant insect. The Kafkaesque story allows the artist to mix with the alienating reality of bureaucratic institutions, digital surveillance or the systems of values and beliefs advocated in our contemporary societies. The voluntarily burlesque and comical nature of the characters and their fantastic and sometimes monstrous universe stages the absurdity and the contradictions of our existence and our lifestyles. The insect figure also suggests an ecological positioning and a real need of degrowth that Hilary Galbreaith tackles in respect of production and transport. Decors, costumes, puppets and instruments show an economy of means, even in the treatment of the materials – often found or reused – and express themselves through a “do-it-yourself” practice.
At Art au Centre, Hilary Galbreaith offers a new version of Parade*, evolving artwork taking the form of installations and musical performances whose presentations give birth to new collaborations. On the day of the preview, the TNHCH group, whose members recently participated in Art au Centre**, will support Hilary Galbreaith for a performance whose costumes and environment will be presented in the window.
* Parade is created with the support of Cripta 747 Residency Program 9 – Turin et le DRAC Bretagne.
** Corentin Canesson & Damien Le Dévedec, The Anal Staircase, Art Au Centre, 2020.

