-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
CASSE-COU I ET II (GRAVURE D’HOMME)
#4
Schälling | Enderle Doris Schälling and Jörg Enderle
Curator : Mermermer (Mikail Koçak & Anna Ozanne)
89Passage Lemonnier 22b
This duo of German artists, based in Belgium, spontaneously formed on the benches of the Academy of Arts, Berlin. They quickly developed increasingly more monumental projects, approaching the mineral as a living organic substance (recently recognized as such by fundamental research). Schälling | Enderle work the rock extracted from quarries, unearth or salvage rocks as we bargain-hunt old objects. Concerned by the programmed disappearance of mineral « in the wild » caused by human exploitation, the artists document the rocky future of this piece of landscape by means of scrubbing on paper which becomes drawings-archives. The transformation of natural resources questions its consequences and our rightful place in this world.
Casse-cou is made of two installations that answer each other in a false symmetry studied with millimeter accuracy. A bit of religious marble is profaned in two shelves supported by frail fastening. A square rock found is left « raw » such a ready-made while another one is worked in curves.
Here the rock is staged with subtle references to its History (architecture, art history, etc.). The research is aesthetic and synthetic. The subtly wobbly artwork is a game of unsteadiness and irregularities. A doubt sets in. The intervention of the artists modifies our look and our perception of the rocky substance. Has it lost in mass ? Is it as light as aerial ?