-
À la loupe
Werner Moron
7 Rue de l'Official
-
Cloakroom
Charlotte Delval
37 Rue Souverain Pont
-
Biospheric City
Xavier Mary
25 Rue Saint Paul
-
This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
-
Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
-
Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
-
Between Two
Adrien Milon
31b Rue de la Cathédrale
-
Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
-
Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
-
À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
-
One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
-
Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
-
Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
-
Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
-
Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
-
Peek
Raphaël Meng WU
75 Rue Hors-Château
-
Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
-
Brownfields
Cesare Botti
108 Féronstrée
-
Never Finished
Dirk Bours
84 Féronstrée
-
Empty Reflections
Jason Slabbynck
21 Pont d'Île
-
On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
-
Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
-
Untitled
Reza Kianpour
14 Rue de la Populaire
-
Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
-
Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
MANGER AVEC LES YEUX
#4
Lisa Sudhibhasilp
Open call
926 Rue Gérardrie
In recent years, I developed my work around the presentation modes (display). By studying the mechanisms of exposure and arrangement of museums and stores, I gradually extracted strategies of presentation that fed my work process. I enjoy observing how products, objects or artworks are shown, exploring and revealing the underlying methods that are used to value them, sometimes even by fetishizing them. I distort the aesthetics borrowed from design to question the status and the hierarchy of the shown object, sometimes creating in this way a confusion of roles between the presented object and the display as an object.
« Magritte goes to a grocer’s shop near his house to buy Dutch cheese. The merchant leans towards her stall to pick up a started piece but has her movement almost directly stopped by the painter :
– No, madam. Not this one. I’d rather buy this other one.
And he points at a second piece, started as well, placed a bit on the side, on a shelf.
– But it’s the same cheese ! The merchant shouts.
– No, madam, Magritte objects again. The one on the stall has been observed by the passersby all day long. »
(Mariën Marcel, Suivre à Magritte, dans L’Art Belge, January 1968.)
Manger avec les yeux is an installation that hinges on this anecdote told by Marcel Mariën. Here in the window, the cheese is replaced by a turning cake tray, without cake. I invite the passersby to contemplate this object of presentation stripped of its function and to « consume » it with their eyes.
Hand-painted text by Miles Signs.

