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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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LES ENTREMETTEURS
#5
Institut belge de design graphique
Curator : Arthur Cordier
9614 Rue Lulay des Fèbvres
The Institut of Art and Design is an independent organization that works as a knowledge center and a platform of presentation for graphic design in Belgium. The Institut fills the gap left by the historical underestimation of graphic design.
The window displays a speculative view of the cloakroom and a library of the Institut. This exhibition questions the limits between art and graphic design that became hard to define. Rather than comparing them as two different disciplines, the Institut of Art and Design explores their similarities focusing on what unites them. It is no secret that these two disciplines come from the same source. One can’t survive without its creativity, the other can’t survive without its communication. The ambiguous position of the designer is due to his pivotal position, meeting point of several disciplines.
The different « entremetteurs » displayed in the window combine both practices by playing with the norms and the conventions of each of them. The entremetteurs often wear several hats : graphic designer, artist, textile designer, associate, entrepreneur, poet and much more. The different artworks, items and clothes displayed in a shop window, as part of an art exhibition, seem to have found their place. While combining different temporalities with older and very recent artworks, another speech is made possible by the association of graphic design with artistic artworks. The window gives the impression to enter into another interior where the content and its place enable us to imagine a new framework for both the history of art and the history of graphic design in Belgium.

