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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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OASIS
#5
Collectif muesli Louis Darcel • Hannah De Corte • João Freitas
Open call
11020 Rue de l'Université
Together we work with sensitive materials. The resulting artworks are not fixed but in constant adaptation with their environment and its multiple constituent factors. In a partnership with the material and its possibilities, we give birth to shapes that we let blossom without having a direct influence on them.
Our paintings darken or brighten slowly in shades ranging from pink to blue while cristallisation patterns spread or retract at the pace of ambient humidity. The weather conditions and the specificities of the occupied window are crucial parameters that forge the « painting ». Likewise, the fabric support and type of stretcher have an impact on the created surfaces. They also register the hits of their manipulation and the transport that can leave marks. Undisciplined, the paintings have an elusive and atypical behavior. Varying from a nearly monochrome to an expressionist or even kitsch rendering, the surfaces cannot obey any aesthetic desire on our part.
Through all these factors that interact directly with the chemical process, a canvas is never the same twice. In its own way, our project marks the passage of time, punctuating the routine of the passer-by throughout the exhibition. The changes can surprise a regular passer-by and invite the viewer to return to witness them.

