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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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STÉRILE
#5
Pierre Rebufy
Curator : Maxime Moinet
11350 En Féronstrée
In his window, Pierre Rebufy displays a collection of hybrid artworks, at the frontiers of painting and sculpture, stemming from the Stérile project. They are the result of multiple experimental operations carried out on and from building materials, items and rubbish selected carefully based on their creative potential : XPS insulating, stainless steel, skin, jesmonite, megaphone, wax…
In his paintings, he uses as a support waterproof insulation panels that endure a series of chemical experiences. The resulting accidents are the first step of his work. The chemical chaos is then reorganized, dissected and gaged by other mastered gestures. When one takes a closer look at the artwork, the surface that seemed to be flat at first sight reveals different alterations and textures. The whole is then integrated into acrylic frames that give the paintings the appearance of frescos that were removed from their original walls.
Overwhelming natural generosity of organic decomposition vs sterility and asepsis. Scientific dystopic fantasy, mutation and hybridity of our chemical world.
Pierre Rebufy studied at the ERG (Brussels) and the KASK (Ghent).

